SCREW #18: The Day John Lennon Got in Bed with SCREW

If you’re wondering when SCREW officially became more than a dirty little paper for dirty little minds — it was SCREW #18 for June 27, 1969, and we’ve got the photo to prove it.

BY PHIL ITALIANO

If you’re wondering when SCREW officially became more than a dirty little paper for dirty little minds — it was SCREW #18 for June 27, 1969, and we’ve got the photo to prove it.

John Lennon and Yoko Ono, sprawled in hotel bedsheets during their now-iconic “Bed-In for Peace,” reading SCREW like it was the gospel of the new world order. That wasn’t a stunt. That wasn’t a plant. That was the truth — captured in real time, in a photo that still flips a middle finger to every censor and square on Earth.

John and Yoko reading SCREW

Jim Buckley and Al Goldstein sat bedside with them — not just to observe, but to converse, question, and maybe even corrupt. The full interview from that surreal encounter — equal parts art, politics, and horny humanism — will run separately, uncut and unwashed, the way it was meant to be.

Meanwhile, the rest of SCREW #18 was no slouch.

  • Al Goldstein unleashed “Rancid Flesh,” a screed so savage it could strip paint off a church wall.
  • Richard Field gave us “Sex Addict,” a diary of desire and degeneration.
  • Great Ray’s “Mail Order Muffin” baked sex and satire into a hot mess of a consumerist wet dream.
  • And Lige & Jack continued their fearless chronicle of queer life in “Homosexual Citizen,” just days before the Stonewall riots broke out and changed everything.
SCREW #18 (June 27, 1969)

Hell, even Billy Graham got dragged, because SCREW never missed a chance to violate a televangelist. Just kidding, not THAT Billy Graham but rather the illustrator with the same name (and a better sense of humor).

But it’s that Lennon and Yoko moment that seals this issue in history — the day rock royalty got horizontal with SCREW. Not for clout. Not for scandal. But because we spoke the language: filthy, funny, fearless truth.

This wasn’t just a magazine.
It was a cultural co-conspirator.
And Lennon knew it.

—P.

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