Few names in the adult film industry evoke the same mix of admiration, controversy, and sheer outlaw spirit as the Mitchell brothers, Jim and Artie Mitchell. The two San Francisco-based filmmakers weren’t just in the business of pornography; they were revolutionaries, pushing the boundaries of film, free speech, and counterculture throughout the 1970s and 1980s. While their story is one of success, excess, and cultural impact, it is also marked by tragic downfall, family betrayal, and a violent ending that cemented their status as one of the most infamous duos in adult entertainment history.
The Birth of a Filthy Empire
James “Jim” Mitchell and Arthur “Artie” Mitchell were born in Stockton, California, in the 1940s. Raised in a relatively conservative environment, their future careers in hardcore pornography were anything but predictable. Their journey into the adult film world began in the late 1960s, during the height of the sexual revolution, when American censorship laws were being tested like never before.
In 1969, fresh out of college and inspired by the rebellious spirit of the era, the Mitchell Brothers opened The O’Farrell Theatre, a San Francisco adult cinema that would become legendary in its own right. At a time when mainstream society was still grappling with the idea of explicit sexual content on screen, the Mitchells saw an opportunity — not just for financial gain but to be at the forefront of a cultural shift.
Behind the Green Door: A Game-Changer
The Mitchell Brothers’ defining moment came in 1972 with the release of Behind the Green Door, one of the most iconic and controversial adult films of all time. Starring Marilyn Chambers, the film told the story of a woman abducted and taken to an underground erotic theater, where she is subjected to a surreal, highly stylized, and ultimately orgasmic experience in front of an audience.
Unlike many of its predecessors, Behind the Green Door was crafted with an artistic sensibility, featuring elaborate cinematography, a dreamlike narrative, and an avant-garde approach that set it apart from traditional “smut.” The film became one of the first hardcore pornographic films to receive widespread theatrical release, pushing adult entertainment closer to the mainstream. It was banned, condemned, and celebrated in equal measure — exactly the kind of response the Mitchell Brothers relished.
Porn as Political and Artistic Expression
The Mitchells weren’t just pornographers; they were filmmakers and provocateurs. They recognized that adult film could be more than just cheap thrills — it could be a statement. Their productions often experimented with narrative, editing, and visual storytelling, elevating their work beyond simple erotic fare. They were also vocal critics of censorship, frequently engaging in legal battles over their right to distribute and screen adult content.
At The O’Farrell Theatre, they pushed the boundaries of live adult entertainment, transforming it into a fusion of burlesque, hardcore theater, and experimental performance art. The venue became a haven for counterculture figures, attracting everyone from Hunter S. Thompson (who briefly served as the theater’s “Night Manager”) to beat poets, political radicals, and underground artists.
Drugs, Debauchery, and Decline
By the late 1970s and early 1980s, the Mitchell Brothers were at the height of their success, controlling one of the most profitable and controversial adult empires in America. However, with their wealth and influence came excess. The brothers indulged heavily in the hedonistic lifestyle their films portrayed — sex, drugs, and a relentless pursuit of pleasure.
Their drug use, particularly cocaine, began to spiral out of control, affecting their judgment and business acumen. While they continued to produce films, the golden era of “porno chic” was fading, and the industry was shifting toward the more commercialized VHS market. The Mitchells resisted this change, clinging to their old-school, theatrical approach even as the adult film business evolved around them.
Brother Against Brother: The Violent End
The Mitchells’ story took a dark and tragic turn in 1991. Years of drug abuse, paranoia, and internal conflict had strained their relationship. Artie, the more wild and reckless of the two, had become increasingly erratic and unmanageable, according to Jim. Their empire was crumbling, and their personal lives were in chaos.
On February 27, 1991, after what was reported as a series of heated arguments and concerns over Artie’s behavior, Jim Mitchell shot and killed his brother Artie at his home in Corte Madera, California. He claimed it was an act of self-defense, alleging that Artie had become dangerously unstable.
Jim was arrested, charged with voluntary manslaughter, and sentenced to six years in prison. The trial was widely publicized, turning the Mitchell Brothers into a true crime saga that blurred the lines between tragedy and tabloid spectacle.
Legacy of the Mitchell Brothers
Despite their tumultuous downfall, the Mitchell Brothers remain pioneers of adult cinema. Their films helped usher in an era where adult content was no longer confined to the shadows but instead became a legitimate and artistic industry. Their fight against censorship set important legal precedents, and their influence can still be seen in both mainstream and underground erotic filmmaking today.
The O’Farrell Theatre, despite changing hands over the years, remains a symbol of San Francisco’s rebellious sexual history. The brothers’ impact has been explored in books, documentaries, and even a 2000 made-for-TV movie, Rated X, starring Charlie Sheen and Emilio Estevez as Jim and Artie, respectively.
The Lasting Impact
The Mitchell Brothers’ legacy is one of brilliance and destruction, a testament to both the power of artistic vision and the dangers of unchecked excess. They were outlaw filmmakers, champions of free expression, and ultimately victims of their own chaotic world. Their work lives on, continuing to challenge, inspire, and arouse audiences who dare to step Behind the Green Door.
(If you’re over 18, you can stream the classic and historic Behind the Green Door on SCREWVideo.com.)
— P.
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